New Order - temptation (7” version)

what even is sleep? I can’t count the hours I’ve been awake any more.

everything is words and bliss and this song.

✌ dance or death ✌

HAPPY BIRTHDAY SARAH

a wonderful/revolting pop-dance catastrophe for one of my favourite ladies.

you lot! get dancing!!

me: it’s Canberra, it’s like a DISCO KITCHEN!

nathania: I CAN VOUCH FOR THAT.

I would go out tonight … but I haven’t got a stitch to wear.

I would go out tonight … but I haven’t got a stitch to wear.


hello, friday.

hello, friday.

come another night

words

words have been slow, and absent

sticky, perhaps

or not even

ideas are sticky: a pastiche of desire that I am unable to assemble.

… so I’ve been crying less. but I’m adjusting to new meds like that arc in a hungover morning (which is actually the afternoon), when you crave some kind of sustenance which couldn’t possibly be food (because: your stomach) and is probably ‘life’, and so you eat hash browns.

—spacey—

not in an overwhelming way. just … I don’t get most things done. and, like, I hardly care.

I’ve feathers and sequins and a few good friends and, when my nails are dry, I can crawl back into bed and listen to Lou Reed until sometime later tonight. when Will and I are going into public to dudewatch and be awesome.

  

Talking Heads - this must be the place (naive melody)

someone dropped this at a party I was at the other night, and I’m pretty sure it wasn’t even me.

I hardly remember … I was either standing in the hallway, disengaged from whatever conversation I was having and—nonchalantly—mouthing the words (like the trendiest of mad hipsters); or going wild for it on the makeshift dance floor (like an attack of rad).

from my uncertainty, I can only suppose it was the latter.

best.

Robert Smith face. (co- Nathania.) I’m not in love. end me.

Robert Smith face. (co- Nathania.) I’m not in love. end me.