blueprints for … a jar of salt

excerpt: Wayne Macauley, Blueprints for a Barbed-Wire Canoe (Black Pepper Publishing: 2004)

(Source: users.vic.chariot.net.au)

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For those who hate both progressive art and progressive politics, the abstract and seemingly chaotic whorls and splatters of paint on Jackson Pollock’s canvas symbolise the Whitlam Government.
Curt Livingston, I eat souls [Tony Abbott] (2010).

tony abbott makes me feel a little ill
he looks like a shark.  he says stupid things.

Curt Livingston, I eat souls [Tony Abbott] (2010).

tony abbott makes me feel a little ill

he looks like a shark.  he says stupid things.

avant-garde crap
sick in my stomach.  striking, but so shameless and exploitative.  and condescending (but in the bad way).  I hate this happening.
[Tom Petrie’s reminiscences of early Queensland (dating from 1837) / recorded by his daughter (Brisbane : Watson, Ferguson, 1904)]

sick in my stomach.  striking, but so shameless and exploitative.  and condescending (but in the bad way).  I hate this happening.

[Tom Petrie’s reminiscences of early Queensland (dating from 1837) / recorded by his daughter (Brisbane : Watson, Ferguson, 1904)]

the grotesque cultural nationalism of the blue-view pastoral painters between 1920 and 1940 becomes comprehensible when you note that it was part of a general insularity whose political symptom was the New Guard, and whose journalistic expression was the Bulletin’s slogan ‘Australia for the White Man and China for the Chows’
[Bea Maddock.  Gauge (1976).  photo-etching and aquatint.  Melbourne: NGV.]
so maybe you know how much I like prints.  I really, really like them.  aquatint can be insane.

[Bea Maddock.  Gauge (1976).  photo-etching and aquatint.  Melbourne: NGV.]

so maybe you know how much I like prints.  I really, really like them.  aquatint can be insane.

[Brett Whiteley.  giraffe (1965).  screenprint.  Canberra: NGA.]
so I seem to be totes into sixties cinema at the moment.  this is also from the sixties.  and crush.

[Brett Whiteley.  giraffe (1965).  screenprint.  Canberra: NGA.]

so I seem to be totes into sixties cinema at the moment.  this is also from the sixties.  and crush.

Julia Gillard looking surprisingly good at this morning’s presser.  of all her interesting hand gestures, this is my favourite.  I do this sometimes when I’m dancing in the car.

Julia Gillard looking surprisingly good at this morning’s presser.  of all her interesting hand gestures, this is my favourite.  I do this sometimes when I’m dancing in the car.

loving this.  particularly the bit where Abbott comes wading out of the ocean.  smarmy git.

I love trains.

I love trains.

I should try and stop swearing when I get upset.

Australia has always had difficulty adapting to immigrants.  an introduction of alien culture will naturally disturb the status quo.  but why should this be considered a bad thing?  Australian society has changed immensely over the last fifty-five years.  Aboriginal people are considered the full citizens that they are.  women are socially accepted in the workplace.  gay people are on the verge of having marriage rights.

if reaching out to immigrants to try and make them feel more welcome marks a change in the behaviour of Australian society - whether by incorporating their food into school canteen menus, or translating the national anthem - I think that it is a wonderful change.

chain emailers?  fuck. them.  fucking haters.